PSO Mahler stands up on disc

PSO Mahler 1 CD

Mahler, Symphony No. 1. Pittsburgh Symphony, Manfred Honeck. Exton ****

I finally got time to really listen to the PSO's SACD recording of Mahler's Symphony No. 1 under Manfred Honeck. It's great to have his brilliant interpretation on record, so to speak, so that others can hear what I have been raving about.

Again, this is an approach that both reaches back in an almost period-instrument approach to styles from the late-19th century and Mahler's original intentions, as well as Honeck's own conception of the piece as full of heterogeneous music. The recording really brings out the elements Honeck wanted to be set in relief -- from certain instruments reaching out of the texture to characteristic music like the klezmer or landler. I think it is gorgeously recorded, both for tutti and solo playing, highly charged and certainly one of the best PSO recordings out there.

Now, let's just see what the rest of the world says about it!

Here is my feature piece on Honeck and his concept for Mahler 1 and my review of the concert at Heinz Hall from which much of this recording was taken.


Posted Oct 06 2009, 05:09 AM by Andrew Druckenbrod

Comments

monolithicjj wrote re: PSO Mahler stands up on disc
on Tue, Oct 6 2009 10:14 AM

Can't wait to hear it!

Only quandry is the cover design for the disc.  It doesn't exactly say 'reaching back' or 'heterogeneous' now, does it?!

Andrew Druckenbrod wrote re: PSO Mahler stands up on disc
on Tue, Oct 6 2009 10:56 AM

Well, it does kinda say heterogeneous, but it certainly doesn't say Mahler, or Mahler in his time, so I agree with you. The cover is goofy. But if that is the only thing to complain about with a disc, then you got yourself a winner...

mxradio331 wrote re: PSO Mahler stands up on disc
on Mon, Oct 12 2009 2:44 PM

I haven't heard the recording yet, but would love to purchase it sometime soon.  I think the fact too that its an SACD will really does justice to Honeck's interpretation.

And yes, the album artwork is rather strange.  My first impression: "It's nice, but how does it relate to Mahler?"